愛爾蘭作家詹姆斯·喬伊斯(1882-1941)的巨著《尤利西斯》被公認(rèn)為是20世紀(jì)英語文學(xué)史上一座難以逾越的高峰。在《聚焦與變奏(尤利西斯的美學(xué)研究)》筆者陳豪看來，《尤利西斯》作為曠世杰作的一個(gè)重要原因在于其蘊(yùn)涵的巨大美學(xué)價(jià)值。本書旨在通過探討這部作品的形式、語言和接受狀況來揭示《尤利西斯》的美學(xué)特征和原則。本書認(rèn)為：變奏與聚合是貫穿作品最為顯著的美學(xué)特質(zhì)，構(gòu)成了作品豐富表現(xiàn)力及其獨(dú)特審美體驗(yàn)的基石。換言之，《尤利西斯》的美學(xué)成就集中體現(xiàn)在文本從形式到內(nèi)容既兼容并包又有機(jī)統(tǒng)一，既千變?nèi)f化又有序平衡的特性上。
目錄：
前言
Acknowledgments
Abstract
ListofAbbreviations
Introduction
�、�.TheAestheticAchievementofUlysses
�、�.AReviewofAestheticCriticismsofUlysses
�、�.TheMainArgumentandtheOrganizationoftheBook
ChapterOneFormalAestheticsinUlysses
�、�.AGestaltParadigm:TheTextualStructure
Ⅱ.ASynthesizedPatchwork:TheNarrativeMode
�、�.TransformationandConfluence:TheCharacterConfiguration
ChapterTwoLinguisticAestheticsinUlysses
�、�.TheDeconstructionandReconstructionofStyle
�、�.TheSensualityandObscurityofRhetoric前言
Acknowledgments
Abstract
ListofAbbreviations
Introduction
�、�.TheAestheticAchievementofUlysses
�、�.AReviewofAestheticCriticismsofUlysses
Ⅲ.TheMainArgumentandtheOrganizationoftheBook
ChapterOneFormalAestheticsinUlysses
�、�.AGestaltParadigm:TheTextualStructure
�、�.ASynthesizedPatchwork:TheNarrativeMode
�、�.TransformationandConfluence:TheCharacterConfiguration
ChapterTwoLinguisticAestheticsinUlysses
�、�.TheDeconstructionandReconstructionofStyle
Ⅱ.TheSensualityandObscurityofRhetoric
�、骉heFissionandFusionofMeaning
ChapterThreeReceptionAestheticsinUlysses
�、�.TheComplementaryUnityofJoyce'sAestheticConception
�、�.TheMergingofDifferentVisions:TheImpliedReadersinUlysses
ⅢControversyandConsensusintheAestheticReceptionofUlysses
Conclusion
Bibliography
Appendix
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